It
was a flash of light that caught my eye, a white burst edged with
gold. It caught my eye and held it. The light was a dancing reflection
of the sun against the water that filled a pothole in a sea of asphalt.
It was ugly and it was so beautiful. A gash in the street, etched
in hard shadows and bright highlights. Gutter water, wind-whipped,
catching a dazzle, alternating gold and silver. Like small diamonds---
It must have been my close proximity to the front grill, but the blare
of the car horn lifted me several yards off my feet. This trumpet was
soon chorused by an octet of similar sounding honks, toots, blares
and bleats. Like an orchestra conductor, the driver in the first car
was using his hand with an extended middle finger as a baton; he was
repeating a broad gesture, directing that ‘I cross the goddamn
street at a faster tempo con forza!’
The
perfume entered the house seductively and invisibly, like the outstretched
arms and hula
hands of a beautiful ghost, a dancing siren. Hanging so heavy outside,
it crept through the loosely shuttered windows and from under the
doors.
The scented call pulled me out into the night, leashed to the dog.
The temperature had shot up, out of the blue and the night was warm
and close. The jasmine thought it was a fast summer and began working
overtime, perfuming the air and weighting it with something old and
lovely. I thought of a woman with the delicate features of a Gibson
Girl. I thought of my grandmother.
The whole neighborhood is fenced and roofed with jasmine; it’s
blossoms, delicate explosions of white fireworks, are everywhere. The
warm night was inducing a fusion. The deadly flowers of the Angels
Trumpet tree were ripe and pungent; you didn’t have to lean
close to get wrapped in its light song. I fell into the Grand garden
roses.
The bouquet was distinctly softer than the pervasive jasmine and
I inhaled deeply---
The jet of cold water blasted my forehead and held its target,
drenching me. The lady with a hairnet and curlers held her hip
with one hand
and the gun of a garden hose in the other. I believed she was saying
the Spanish translation of “Get the hell away from my county
fair winners.”
A
deep-urban landscape offers a set of beauties that are not often
in play. A city has a sense of time and history;
everything around you is old and you can feel it immensely. Design
is not of this century; details are fresh, evocative and intriguing.
Sidewalks are beaten and uneven. You watch your step and rush
the adrenalin; foreign dangers are everywhere and all sensory filters
are heightened
and caterwauled.
I may not see great art on a downtown art walk but I see lots
of beautiful things. One of them was a Beaux Arts light fixture
at the
end of an
alley. Its hulking filigree was half-shadowed by a grilled canopy
that sliced hard shadows into the yellow light. I signaled to
my pals that
I would catch up later.
The alley floor was original, cobblestone’d and short
bricked. Water glossed a mirror for flashing neon blue and
green. Brick
walls were still stained with long-forgotten ads. Fire escapes
and an overhead
walkway served as a proscenium. A flood of red light came from
stage left. Warner Brothers or the photographer Brassai could
not have done
it better.
A cat hollered and a tin can clanked and rolled. If Dashiell
Hammett had written a grand opera for his Continental Op, then
this would
be the stage set. The gold painted letters on a high window read---
The concussion of the first blow to the back of my head was overwhelmed
by the sudden beauty of the flashing rubies. Sparkling red diamonds
rained down in front of me, a cascade of popping crimson fireworks.
The second blow desaturated the color.
The third blow